Exercise 1.2

Three works of art in which I believe theory plays a decisive role.

Gwen Hardie
Fig 1. Hardie, G. (1986) Venus with Spikes
[Oil on canvas]. At https://gulbenkian.pt/museu/en/works_cam/venus-with-spikes-153519/
Fig 2. Miro, J. (1925) The Birth of the World [oil on canvas]. At https://www.moma.org/learn/moma_learning/joan-miro-the-birth-of-the-world/
Image result for aleksandr deineka factories
Fig 3. Deineka A. (1926) Building New Factories [Oil on canvas]. At http://arthistoryreference.com/cgi-bin/hd.exe?art2=a33498

Three works of art in which theory seems absent.

Blue Poles, 1952 by Jackson Pollock
JACKSON POLLOCK Blue poles (1952) Oil on canvas
Image result for blue nude
HENRI MATISSE Blue Nude II (1952) Gouache on paper
Image result for rothko
MARK ROTHKO No.6 Violet , green and red (1951) oil on canvas

External theoretical influences have played a decisive role in the first three paintings. Hardie has certainly created a piece of art that has been influenced by feminist theory. She is creating a more realistic, true image of how it feels to be a woman rather than how women are usually viewed/percieved. Miro was heavily influenced by the theories of Sigmund Freud and his ideas about the conscious/unconscious mind. Miro allowed his unconscious mind to express itself through this painting. Deineka created Socialist Realist paintings that were based upon the social ideals of the Socialist Soviet Union. Often seen as propoganda art, they depicted optimistic views of socialist working life.

The paintings where theory seems absent do not seem to have any direct influence from external theories and appear highly experimental. According to Greenberg, these modernist paintings do not create pictures from theories but rather ‘convert all theoretical possibilities into empirical ones’. (Greenberg, 1995, 92).

Bibliography

https://www.jackson-pollock.org/

https://www.moma.org/learn/moma_learning/joan-miro-the-birth-of-the-world/

https://www.moma.org/learn/moma_learning/themes/surrealism/tapping-the-subconscious-automatism-and-dreams/

Saunders, Gill (1989), ‘The nude, a new perspective.’ The Herbert Press Ltd.

https://www.tate.org.uk/art/art-terms/s/socialist-realism

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